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With her distinctive performances, she blurs the lines between human and non-human, while also deconstructing the socially constructed gender binary of male and female and exposing its fundamental artificiality and the biases it upholds, ultimately freeing the body from restrictive norms.

Sigmund Freud discussed the link between mouth and vagina as a manifestation of survival instinct — devouring versus being devoured. Vagina dentata is a notorious symbol of the fear of womxn and the terror that they inspire, which is linked to castration anxiety for cis men.

Daschner's sculptures are quiet yet intense, luminous, and ethereal, embodying the atmosphere of their surroundings while grounding the viewer with their presence. For the artist, sculpture is a performative act of self-expression. Notably sirens, like the concept of vagina dentata are part of the evolving iconography of the monstrous feminine.

As early as the third century BCE, Apollonius of Rhodes described sirens in Argonautica as part-womxn and part fish. Their depiction as mermaids emerged later, during the Middle Ages.

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From their mythological origins, sirens have been seen as beings that lured men to their doom, drawing sailors toward the darkness. Kurzfilmtage Oberhausen int. Kurzfilmtage Oberhausen Film Festival, Wroclaw Art in urban transition , curated by U. Bilder davon , IG Bildende Kunst, Vienna ongoing.

Where are you? Kunst im öffentlichen Raum, Etsdorf catalogue Saloon Lady Chutney , Universität für angewandte Kunst, Vienna Video stage 1. January 18, — May 29, Katrina Daschner. Please leave your message below. Show contact form Inquiry Full name Email address Send.